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© Tara Fisher



              BEHIND CLOSED DOORS

              MOURNE TEXTILES




              Photography Mourne Textiles  Words Catherine Coyle




                     t was a chance conversation with a friend in China   entwined. “The workshop is exactly the same, with the same
                     that led Gerd Hay-Edie to Ireland. She was living in   looms and equipment as it was then,” he tells me. “We want it
                     the Far East with her family (her husband worked   to be as authentic as we can get it.”
                     in shipping and his job meant travel was inevitable)   You can understand why Mario and Karen would want to
                     when she got chatting to an Irishman who told her   imitate what Gerd established: she was a pioneer; a trailblazer
                       ou
                     ab
             I    t the Mournes, a mountain range in County       with single-minded focus. Born in Norway in 1909, this
              Down. She identified with the place immediately. The similari-  enterprising, wildly creative and intelligent woman learned the
              ties between the Celtic landscape and the fjords of Norway, the   art of tapestry at the age of 17, and went on to study design and
              country of her birth, won her heart and persuaded her to set   weaving in Oslo. When she was still at college, she was asked to
              up home and business in Ireland.                    set up a workshop in Europe, so she headed, alone, to Spain.
                 Today, Mario Sierra, Gerd’s grandson, is the third genera-  From there she travelled to Britain, where she cut her teeth at
              tion of the family taking Mourne Textiles into a new phase.   Dartington Hall’s tweed mill. She later went back to Norway,
              Mario’s mother Karen remains at the weaving workshop and   where she took up the post of head of Industries at the Rural
              design studio; both she and her son are master weavers, taught   Bureau. It was a huge job for a 27-year-old and one that took
              by Gerd, with the craft in their blood.             Gerd away from the physical act of weaving, instead using her
                 Gerd remains the heart and soul of this incredible business.   skills as a business woman and an industry expert to promote
              Although she died in 1997, her designs are still being made   the craft and try to generate business by setting up workshops
              at the County Down workshop. For Mario, it’s difficult to   all over the country.
              separate his family from the business, the two are so completely   This phase in her career was essentially an office job






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