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                                                                              CARLO SCARPA

                                                                              Richard Murphy has devoted much of his
                                                                              life to the study of one of his heroes, the
                                                                              Italian architect Carlo Scarpa, so much so
                                                                              that he is considered to be an academic
                                                                              authority on the subject. His home
                                                                              celebrates some of Scarpa’s hallmarks.
                                                                              The roof garden is the biggest homage;
                                                                              Murphy has recreated the garden at the
                                                                              Querini Stampalia Foundation in Venice.
                                                                              The garden has Japanese influences, and
                                                                              materials, particularly water, are central
                                                                              to how this decorative space works.

                                                                              SIR JOHN SOANE

                                                                              Soane was known as a ‘master of space
                                                                              and light’ and is another of Murphy’s
                                                                              architectural heroes. He has adopted
                                                                              some of Soane’s touches in his own
                                                                              home, such as using mirrors and moving
                                                                              features to create the illusion of greater
                                                                              space and also to introduce elements of
                                                                              play. At the foot of the main staircase, for
                                                                              example, there is a mirror that appears
                                                                              to have no perimeter because the
                                                                              magazines lining the adjacent shelves
                                                                              take the edges away, making it appear to
                                                                              be one continuous corridor, and bigger
                                                                              than the actual space.








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