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LIFESTYLE












































                                                              footsteps,’ he says. After a brief spell at Sotheby’s, he quit the
                                                              industry altogether. ‘I didn’t go to a single exhibition or look at a
                                                              piece of art for three years.’ Instead, he took a job as a music con-
                                                              sultant: ‘I was making soundtracks for various flashy hotels in the
                                                              States. It was pure rebellion.’ However, the purchase of ‘a seriously
                                                              good’ Grayson Perry, Print for a Politician, marked his return to the
                                                              industry some 10 years ago. ‘I’ve been buying and selling ever since.’
                                                              He is quick to point out, however, that he hasn’t permanently turned
                                                              his back on music and is rarely seen without a guitar in hand.
                                                               Today, Robin’s remit is simple: ‘Whether it’s a French Symbolist
                                                              portrait or a piece of Venini Scarpa glass, I only deal in good
                                                              things.’ On his stand at PAD you might see an early Walter Sickert
                                                              hanging above an Anthony Caro sculpture or next to a Bridget
                                                              Riley work on paper. ‘I mix and match according to my taste.’ But
                                                              when Robin started dealing, his criteria was arguably more rigid:
                                                              he focused solely on twentieth-century British art: ‘At the time, it
                                                              was a misunderstood and somewhat unknown area.’ While Freud
                                                              and Bacon were the poster boys for the period, ‘there were a lot of
                                                              artists who had been forgotten and were ripe for a reevaluation’. In
                                                              the Forties, with the rise of abstract Expressionism, artists like
                                                              Peter Lanyon and Lynn Chadwick, who had once been bought
                                                              internationally, were being overlooked. ‘I suddenly felt quite pat-
                                                              riotic about it all. I realised that in my own small way I was part of
                                                              this resurgence of modern British art,’ he explains. Things have now
                                                              changed and it is increasingly difficult to buy the greatest pieces

                                                              ANTICLOCKWISE FROM TOP LEFT Robin with Rose Uniacke, another PAD
                                                              exhibitor, in her Pimlico showroom. A ‘Plaster Cone’ pendant light and cast
                                                              Jesmonite stool (centre right) are among the offerings in Rose’s showroom.
                                                              Josh Lilley in his gallery with Robin and artist Nick Goss, looking at a painting
                                                              by Nick that Robin has bought. Robin with Martin Levy, of H Blairman & Sons,
                                                              in his Mount Street showroom, which sells antiques and fine works of art

        94  NOVEMBER 2015 HOUSEANDGARDEN.CO.UK
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