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designer Piers Westenholz. ‘He has the
        most wonderful eye, was familiar with the
        furniture that I wanted to bring from my
        old house and incorporated it brilliantly.’
          The hall and corridors are painted a
        shade of Cornish cream and hung with
        large paintings of dogs. Chunks of raw
        amethyst and stuffed exotic animals and
        birds are displayed over two hall tables.
        The scheme for the drawing room was
        designed  around  a  set  of  seventeenth-
        century Soho tapestries, which hang on
        each side of the chimneypiece. An unusual
        painting  by  the  French-Polish  artist
        Balthus hangs on the adjacent wall. ‘Two
        random  figures  are  running  from  an
        orchard across a landscape,’ explains the
        owner. ‘You glance out of the window at
        our view and the two views somehow seem
        to talk to each other.’
          The dining room opposite is painted in
        ‘Chappell  Green’  from  Farrow  &  Ball,
        which makes an ideal background for the
        Restoration portrait above the chimney-
        piece. Through the dining room is the
        study, a mini replica of the one in the
        owner’s previous house. Piers continued
        the crenellation theme with two oak and
        burr  bookcases  made  by  a  specialist
        furniture maker; these flank a painting
        by Ivon Hitchens above the sofa.
          Upstairs in the main bedroom hangs
        a collection of John Nash watercolours. ‘I
        love them, they represent “my England”;
        it makes me happy looking at them,’ says
        the owner. The magnificent Tabriz carpet
        is reputed to have come from the house of
        the poet and arts patron Edward James,
        West  Dean  in  Sussex.  A  cinema  room
        along the corridor from the bedroom is
        dominated by original beams.         THIS PAGE FROM
          An  array  of  supporting  beams  on  a   TOP The neutral walls
        much larger scale were revealed during   of the main bedroom,
        the restoration of the original barn, and   painted in Farrow &
        these became the focal point for its deco-  Ball’s ‘Light Blue’,
        ration. The barn now has a mezzanine   allow pieces such as
        bedroom, kitchen, bathroom and sitting   the bold Tabriz carpet
        room, and is completely separate from   and dark wood chest
        the main house.                      to take centre stage.
          The result of the collaboration between   A cluster of artworks
                                             and a chinoiserie
        the owner and her three expert advisers
        has  been  a  real  triumph  –  a  distilled     screen decorate
                                             the main bathroom.
        study in restoration, but also a joyous    Garden designer
        celebration of a new home complete with
                                             Jinny Blom created
        a glorious view. ‘The project was a chal-  the various topiary
        lenge and an inspiration,’ says Ptolemy.
                                             shapes in the garden.
        ‘But it was also enormous fun’       OPPOSITE Exposed
                                             beams are the focus
        Ptolemy Dean Architects: 020-7378 7714;   of the renovated
        ptolemydean.co.uk | Westenholz Antiques   barn; seen here is the
        & Interior Decoration: 01279-842545;   view of the sitting
        westenholz.co.uk | Jinny Blom: 020-7253   room from the
        2100; jinnyblom.com                  mezzanine bedroom

        166    NOVEMBER 2015 HOUSEANDGARDEN.CO.UK
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