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N O VEMBER  2015


                                                   ED ITO R ’ S  LET TER










                                                  Included in this month’s issue is our second ‘Living with Art’
                                                  special (from page 107), which coincides with a busy time for the
                                                  art world, as people flock to London for Frieze, PAD and all sorts
                                                  of other exhibitions and auctions. Emily Tobin, the editor, has
                                                  packed its pages with insightful interviews with artists and
                                                  curators, as well as brilliantly useful tips from those in the know
                                                  about framing and displaying art. The Duke of Devonshire gives
                                                  us a very personal view on what living with art means to him. We
                                                  are transported to Italy with Emily’s evocative description of
                                                  sculptor Emily Young’s way of working and Davide Lovatti’s
                                                  wonderful photographs of the Tuscan monastery that is now both
                                                  her home and studio. There is also a useful guide to what we
                                                  should be seeing this month; I’m intrigued to visit Damien Hirst’s
                                                  new gallery in south London.
                                                   Elsewhere in the issue, we are drawn into the alluring world of
                                                  art dealer Robin Katz (from page 91), who is one of the exhibitors
                                                  at PAD. And the houses we have chosen all belong to owners with
                      an interest in art; between pages 178 and 183, the home of an Italian art dealer living and working in
                      Los Angeles gives further insight into the contemporary art world, of which LA is an important centre.
                       For those after advice of a different nature, Sally Storey of John Cullen Lighting talks us through
                      her tricks for making the most of lighting in a small house – using her own home in Chelsea as a case
                      study (from page 75). In my last house, I meanly left the grids of spotlights that the previous owners
                      had installed, but in our current house, I heeded the advice of a friend, Zoe Duff Gordon, who had
                      trained under Sally, and redid the lighting in the main rooms. Every night I am thankful for her
                      changes; the rooms and their contents come alive in just the right way. I now realise that lighting is
                      as important, if not more so, than choosing wall colours – especially as the nights draw in.
                       For escapism, turn to page 192 to see a garden with views of Cap Ferrat. If you went to the RHS
                      Chelsea Flower Show this year, you will have seen the wonderful garden that the same designer,
                      James Basson, created for L’Occitane, for which he won a gold medal. This atmospheric French Riviera
                      garden, with its snaking terraces, hummocky planting and ‘fudgy areas’ of trees and shrubs, has the
                      same feeling of enhanced nature for which James is fast gaining recognition













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                                                                                                                      NICHOLAS SEATON
                                        Fabric background: ‘Jax’ (olive), by Tilton Fenwick for Duralee, cotton, from Simon Playle



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